Michel van der Aa

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May 2019

World premiere of double concerto ‘akin’

Akin-Sol Patricia Michel

In May Michel van der Aa’s dramatic and explosive concerto for violin and cello akin received both its world premiere (at the Philharmonie in Cologne) and its Dutch premiere (at the Amsterdam Concertgebouw). ‘akin’ was written specially for violinist Patricia Kopatchinskaja and cellist Sol Gabetta, giving full expression to their extrovert playing styles. In the composer’s own words, ‘akin was inspired by the friendship between these two very special string players, reflected in the score through their sharing of the same musical material and communication with a similar voice.’

Both performances were well received. Neue Musik Zeitung’s Juan Martin Koch wrote that the world premiere provoked “Great cheers” from the audience in Cologne, and made a favourable comparison with Brahms’s Double Concerto in the way ‘akin’ offers a “portrait of two instruments in harmony”. After the Dutch premiere the next day, NRC’s Joep Christenhusz wrote of “a compelling tension that leads to a blistering battle of strings to the rhythm of pounding toms and sharply striking percussion”, and described the piece as “high quality, vintage Van der Aa”.
Peter Lint, writing for Trouw, also praised the soloists, describing them as excelling “with total dedication to and belief in Van der Aa’s notes”; their “forceful, charged performance and expressive stage presence”, said Christenhusz, “kept the audience on the edge of their seats for half an hour”. Finally, wrote Koch after the German performance, “This piece has what it takes – with appropriately explosive soloists – to enter the repertoire.” (read full reviews)

Canadian performances of ‘akin’ are now on the horizon. The Vancouver Symphony Orchestra, with soloists Nicholas Wright, violin, and Peter Wispelwey, cello, will give the North American premiere at the Orpheum in Vancouver in June. This will be followed in March 2020 by a performance by Simone Lamsma, violin, Harriet Krijgh, cello, and the NAC Orchestra at the Southam Hall in Ottawa.

April 2019

World premiere 'akin': double concerto for twinned strings

Akin, the new double concerto by Michel van der Aa for violinist Patricia Kopatchinskaja and cellist Sol Gabetta, receives first performances in Cologne and Amsterdam in May.

 Violinist Patricia Kopatchinskaja and cellist Sol Gabetta are soloists in Michel van der Aa’s new double concerto, Akin, premiered at the EIGHT BRIDGES festival in Cologne by the Royal Concertgebouw Orchestra on 9 May. The 25-minute work was commissioned by ACHT BRÜCKEN/Musik für Koln and the Royal Concertgebouw Orchestra with funds from the Ernst von Siemens Music Foundation and Fonds Podiumkunsten.

After the premiere at the Philharmonie in Cologne, the concerto travels on with soloists, orchestra and conductor Peter Eötvös for its Dutch premiere at the Concertgebouw in Amsterdam on 10 May. North American performances follow with the Vancouver Symphony on 7 June and the National Arts Centre Orchestra in Ottawa in March 2020.



Michel van der Aa has worked with both soloists on earlier projects – Patricia Kopatchinskaja on the violin work Double and Sol Gabetta on his Grawemeyer Award-winning cello concerto with film Up-close. As the composer notes: Akin was inspired by the friendship between these two very special string players, reflected in the score through their sharing of the same musical material and communication with a similar voice. When I was deciding on a title I was drawn to an image of identical twins, inseparable and thinking in a related manner to all outward appearances but perhaps with different personalities beneath.”
— David Allenby/Boosey & Hawkes Quarternotes

September 2018

Launch of doubleA Foundation and Lab

doubleA foundation logo

This summer saw Michel van der Aa launch a new artistic foundation dedicated to the development of innovative music theatre works with an international profile.

With Van der Aa as its Artistic Director, the doubleA Foundation aims to support the production and touring of new and existing works that stretch the boundaries of music theatre, opera, concerts, audiovisual exhibitions, digital art, multimedia and film.

At the forefront of the Foundation’s work is the doubleA Lab, which Van der Aa describes as ‘a unique laboratory for twenty-first-century music theatre’. Designed to develop and test new artistic technologies, the Lab will work with and develop new generations of artistic and technical partners, including dramatists, designers, stage managers, directors and VR specialists. With the help of Van der Aa’s diverse international network, young artists will be brought into contact with major international producers, opera houses and festivals to create new and significant work.

The Foundation launches with four new projects already in production and planned for presentation between 2019 and 2021. These are the virtual reality installation Eight – a collaboration with the singer-songwriter Kate Miller-Heidke – and a forthcoming film opera; as well as a large-scale work of music theatre and a visual art collaboration.

The doubleA Lab is supported by the Gieskes-Strijbis Fonds, and the Foundation itself works in close collaboration with the international classical music agency Intermusica, the production company ‘N More, and the publishers Boosey & Hawkes. Its business director is Rosita Wouda. More information about the Foundation and Lab may be found at doubleA.net.

September 2018

Featured composer at Trondheim Chamber Music Festival

Blank Out NYCMiah Persson, Roderick Williams

Later this month Michel van der Aa will be the featured composer at the Trondheim Chamber Music Festival in a major Scandinavian presentation of his work.

A total of nine pieces have been programmed at the festival, from Memo and Quadrivial to the concertos Up-Close and Hysteresis, and the 3D chamber opera Blank Out. All of them will be receiving their Norwegian premieres; among the featured soloists will be Kari Kriikku (clarinet, Hysteresis), Miah Persson (soprano, Blank Out), Fredrik Schøyen Sjølin (cello, Up-close) and Christianne Stotijn (mezzo-soprano, Spaces of Blank). 

Van der Aa will also deliver masterclasses and lectures on his music. The Trondheim Chamber Music Festival runs for a week from 24 September and tickets and more details may be found here: www.kamfest.no

about

Michel van der Aa (Netherlands, 1970) is a truly multidisciplinary figure in contemporary music. A unique voice, he combines composition with film and stage direction, and script writing. Classical instruments, voices, electronic sound, actors, theatre and video are all seamless extensions of his musical vocabulary.

upcoming performances

  • 30 January 2020
    Rekindle
    Izabella Pop, flute
    Robert Schumann University, Düsseldorf , Germany
  • 07 February 2020
    Mask
    Manson Ensemble conducted by Ryan Wigglesworth
    Duke’s Hall, Royal Academy of Music, London, United Kingdom
  • 15 February 2020
    Transit
    Siwan Rhys, piano
    Bangor Music Festival
    13:00 hrs, Pontio , Bangor, U.K.

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  • Interview with @thequietus about my new Interview with @thequietus about my new "indie-pop" album "Time Falling", and video premiere of the first single "The Aleph" (link in bio) "Time Falling" features the brilliant @katemillerheidke and will be released on 28 February on all digital platforms, CD and LP. The album is produced in collaboration with @thysmusic (Noisia), mixed by Thijs and Bart Wagemakers. Can't wait to hear what you folks make of it... 😅 (photo by @sarahwijzenbeek)

recent video

Eight - teaser

eightvirtual reality installation ft. Kate Miller-Heidke
1:22 min.

recent audio

colophon

Editors Jonathan Reeder, Tim Rutherford-Johnson
Web-design Studio Lonne Wennekendonk
Realisation Martijn ten Napel & Kyver
Latest update 17 January 2020