Michel van der Aa / Works / 

See-through

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See-through is a work with two faces: a direct, theatrical façade built around an intellectual, conceptual skeleton. The harmonic material employed is sparse, the piece containing just 9 chords.
Layers in the music change perspective. Incisive, abrasive sounds in the percussion parts act as joints; dynamics suddenly change and the perspective shifts. Passages in the background abruptly leap to the foreground.

The layer in the background is left to simply ripple the front layer’s surface. There are interruptions in the music, moments of rigid musical standstill, not only in the full orchestra but also within smaller instrumental layers. Groups of musicians lose themselves in isolated autistic sequences and then suddenly snap out of it, melting once again into the rest of the orchestra.
See-through is a work about the failing of continuity.

Reviews

Making the most of very few ingredients

“Making the most of very few ingredients, composing very strong processes over longer time spans…an exellent feeling for structure.”
— Roeland Hazendonk, De Telegraaf, 11 June 2001

Instrumentation

for orchestra
2000

1 piccolo
1 flutes
2 oboes
1 clarinet in E-flat
1 clarinet in B-flat
1 bass clarinet
2 bassoons

4 horns in F
4 trumpets in C
2 tenor trombones
1 bass trombone
1 tuba

1 harp
4 percussion players

Strings

Details

Duration

12′

First performance

25 November 2005
Frits Philipszaal, Eindhoven, Netherlands

Commissioned by

Netherlands Student Orchestra (NSO), Fonds voor de Scheppende Toonkunst

Publisher

Donemus

Performances

Last performance


25 November 2005

See-through

Brabants Orkest, cond. John Axelrod

Frits Philipszaal, Eindhoven, Netherlands

All performances of See-through

Listen

Dutch Radio Philharmonic Orchestra, cond. Micha Hamel